![]() ![]() The title track is a post-bop workout with a serpentine melody that keeps snaking back on itself. Healing and stimulating, it’s music that both soothes the soul and sparks the imagination, starting with the bittersweet bossa nova “Noviembre,” a moody piece that culminates in a taut exchange between Donelian and Anderson. In responding to the calamity of the pandemic, the trio offers a balm in troubled times. Their deep connection and conversational rapport are evident on every Fresh Start track produced, arranged, and led by Donelian. Since first making a mark together on Maria Schneider’s 1994 debut album Evanescence, they’ve played hundreds of gigs as a rhythm section tandem, including dates with pianist/arranger Russ Kassoff, pianist Ted Rosenthal, saxophonist Steve Wilson, and many other leading players. With Mackrel and Anderson bringing a good deal of bandstand and studio history to Fresh Start, the trio’s foundation couldn’t be stronger. I loved what I heard, playing without ego or an agenda other than beauty and sound.” So I got together with Jay and Dennis to see if there was any chemistry between us. Anytime you want to play, let me know.’ I saw a door opening. “One of Dennis’s children was a student in the program that was sponsoring that concert and afterwards he said, ‘Armen, I really enjoyed your playing. But their paths didn’t cross until about four years ago when the drummer came to hear Donelian’s trio at a Hudson Valley performance. ![]() Though their career paths diverged, they reconnected about a decade ago via saxophonist Marc Mommaas, “which reminded me how much l liked Jay’s playing and planted an idea in the back of my mind,” Donelian says.įellow piano master Jim McNeely had recommended Mackrel, whom Donelian knew by reputation as a first-call bandmate. Donelian and Anderson, one of the New York scene’s most sought-after bassists, got to know each other in the early ’80s when they worked occasionally as a duo. Taking a year-long sabbatical from teaching responsibilities at the New School during the pandemic, Donelian solidified the Fresh Start trio, a group that renewed an old friendship and established a new one. While his name might not be as widely known as some of his contemporaries, Donelian possesses all of the attributes, gifts, and paid dues of a heavyweight improviser, from formative stints with Sonny Rollins, Billy Harper, Chet Baker, and Mongo Santamaria to a discography marked by sublime and unmistakably personal projects documenting enduring relationships and ever-evolving compositional investigations. Transforming one’s sound is a major undertaking for any musician, but for an acclaimed improviser stepping into his eighth decade it’s downright audacious. “Instead of focusing on what I was playing, I was focusing more on how I was playing, on touch, expression, and storytelling, allowing the sound to happen in its own way. When he started playing again after three months, Donelian continued honing his new pieces, but with a new mindset “that had nothing to do with technique and content,” he says. Before long he’d suffered a practice-induced shoulder injury, which led him to concentrate on composing while he healed. Like many musicians facing canceled tours and gigs, Donelian sought to push back against the initial depression by redoubling his efforts on his instrument. The group’s unabashedly beautiful debut, Fresh Start, is Donelian’s 14th album and his 11th for Sunnyside, the label that has documented the bulk of his work as a leader since the mid-1980s. Though he composed more than a dozen new pieces through the spring of 2021, the veteran pianist and educator didn’t use the downtime to reinvent his repertoire as much as he deepened his pianistic approach and sharpened his ears in the context of a supremely sensitive new trio with bassist Jay Anderson and drummer Dennis Mackrel. New York: Harper Perennial, 2008.When the history of Jazz during the COVID-19 pandemic gets written, Armen Donelian warrants a detailed chapter. Flow: The Psychology of Optimal Experience. New York: Guildford Press, 1990.Ĭsikszentmihalyi, Mihaly. Gollwitzer, Peter, “Action Phases and Mindsets,” in Handbook of Motivation and Cognition, ed. New York and Cambridge: Cambridge University Press, 1998. “Setting Free the White Bears: Escape from Thought Suppression.” American Psychologist (November 2011), 671-679.Ĭarver, Charles S. New York and London: Guilford Press, 1994. Wegner, Daniel, White Bears and Other Unwanted Thoughts. Roese, ”Praise for Regret: People Value Regret Above Other Negative Emotions,” Motivation and Emotion, 31, no.1 (March 2008), 46-54. Saffrey, Colleen, Amy Summerville, and Neal J. Gilovic, Thomas and Victoria Husted Medved, “The Experience of Regret: What, When, and Why,” Psychological Review, 102, no.2 (1995), 379=395. ![]()
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